A_nobody
patreon
Chapter 175: Hope and Expectations
🕑 Added 2024-12-05 18:09:58 +0000 UTCIn vast fields of wheat, a small house stood peacefully in the distance, with a winding path connecting it to the horizon. A military vehicle entered the scene from the foreground, kicking up dust as it broke the pastoral tranquility.
This scene, as the film's most beautiful moment, marked a change from the previous cold, gray tones, with warm, dark yellows dominating, giving a slight feeling of warmth. However, the clouds lingering in the sky kept the tone cool, subtly suggesting that the emotions in the film had not yet shifted away from the brutality of the Omaha Beach landings.
Todd McCarthy understood well that this was Duke Rosenberg's expertise in emotional manipulation. Everything was set up as a prelude for the emotional scenes to come. However, compared to the blunt emotional moments in "The Rock" or the president's speech in "Independence Day," this scene was more subtle and touching, making even a critic like Todd, who disliked Duke, find it hard to be upset.
In this segment, the young director used close-up shots to lead the audience to Ryan's mother, showing her tranquility shattered by war and her immense pain. Even without a single line of dialogue, just seeing her collapse to the ground was enough to make viewers feel the sorrow and grief in her heart.
At the same time, the use of deep-focus shots connected the general, representing the U.S. military, with Ryan's mother, representing millions of American families. It made viewers realize that war destroys not just individuals but countless ordinary families. How could an aging mother bear the heartbreaking news of losing her sons?
The film portrayed the beauty of peace and the warmth of home, implying that the United States is protected by countless families like this one, and in return, the country should protect the completeness and happiness of these families.
Duke Rosenberg didn't just depict the horrors of the battlefield; he also brought to life the pain on the home front through the silent portrayal of an aging mother, leaving a profound impact on the audience.
"He's changed so much, and it's such a successful transformation."
Todd heard Kenneth murmur to himself. "I used to think he was just a talented commercial director, and even if he could evolve, it would take him over a decade, like Spielberg. But he's grown so fast! It's hard to believe!"
With these words came the sound of sniffles. It seemed many audience members were moved by this exceptionally subtle emotional manipulation, empathizing with the mother on screen who had lost three sons.
"I'm reminded of my own mother," someone suddenly said. "She loves me so much, but I haven't visited her in a long time."
Mothers—the greatest existence in this world.
"The military isn't just saving Ryan's mother," Irene said, somewhat emotionally. "They're saving the hopes of all American mothers."
"Yes, with this scene as the foundation," Anna replied from a cinematic perspective, "the later rescue doesn't seem as abrupt or controversial."
Duke's storytelling was clearly more refined and mature now. His growth was astounding, Anna thought to herself.
"…because of the heavy price you paid for freedom, with respect,"
On the screen, General Marshall finished reading a letter from Rayn's family and firmly declared, "That boy is still alive. We'll send someone to find him and bring him back from the battlefield!"
The film's theme was made clear. Though it came a bit later than typical Hollywood films, the audience didn't mind. Applause erupted unexpectedly.
At first, scattered applause came from the back rows, but it quickly spread around the theater, gradually growing chaotic. The disorder lasted less than two seconds before becoming a tidal wave of applause, loud and overwhelming.
Someone stood up first, and more people followed.
The entire audience rose to their feet, clapping and clapping again!
Irene and Anna had long since stood up, clapping their white hands for this film, for the director who created such a masterpiece!
Allen, Jones, Kunitz, and Owen all stood up, clapping their hands even though it hurt! The opening battle had shocked them, and the emotional drama that followed had saddened them. The film had completely captured their emotions!
Tom Hanks and Eno Martin also stood up. They knew they had made the right decision by accepting Duke Rosenberg's casting invitation.
Kenneth also stood up, applauding that young director. Duke's progress had exceeded even his highest expectations!
Even Todd McCarthy slowly rose to his feet. Though Duke had touched on his own professional interests and he would surely criticize the film later, in this moment, he couldn't help but applaud this spectacular masterpiece.
As a representative of a certain organization, Luther had seemingly forgotten his mission five minutes into the film. He was fully absorbed in the plot and atmosphere, even shedding a tear for the mother earlier. Now, like he hadn't noticed the lack of representation, he was clapping just as enthusiastically.
"This is the best war movie!"
It wasn't just Luther. Rodriguez felt the same way, though his mind was sharper than that of the others. He knew that while he could like the film and applaud it, once the screening ended, the business side of things, including financial matters, wouldn't change.
Liking a film couldn't replace real life or the green bills that ran the world.
Captain Miller, along with seven elite soldiers and one frail interpreter, had formed a squad to save Ryan. Was it worth risking the lives of these men for one soldier?
The audience, now seated, didn't want to think about such heavy questions. Instead, they followed the film's pace, experiencing emotional impact after impact.
"Are they all going to die?"
Owen asked Kunith, who shook his head. "Based on Duke's previous films, Captain Miller could fight through an entire battlefield alone, maybe even reach Berlin and take out the enemy. But this film? It's hard to say."
"People are definitely going to die!"
Jones joined the conversation as the squad marched along. "The film's theme is heavy, and I think a lot of people will die. Did you see that guy, Erban? Clumsy and inexperienced—a rookie like him usually gets his comrades killed."
Sure enough, shortly after they spoke, gunfire rang out. Caparzo, the strong soldier who looked like a modern warrior, fell into a pool of blood. On a real battlefield, no one was invincible. When Jackson took down the enemy sniper and Medic Wade rushed over, Caparzo had already died.
Before they even found Ryan, one soldier had fallen. Eight men risked their lives to go deep into enemy territory to save one soldier for the sake of a single family. Was it worth it?
The film didn't give a clear answer. Soldiers had their duties. Captain Miller led his squad forward, even if they didn't fully understand the mission. Yet another soldier fell…
Kenneth watched intently. The opening sequence was indeed epic and classic, but he didn't forget that Duke Rosenberg had a reputation for explosions and over-the-top destruction. While his style had evolved significantly, the film still featured plenty of action and emotion—Duke's strong suits.
The relatively calm narrative following the explosive opening was a key test of the director's abilities. A filmmaker who relied solely on spectacle and sentiment could never become a master.
"The slow pace used to establish the squad members' backgrounds and personalities enriches the characters and story while interspersing action peaks to keep the audience engaged!"
Kenneth muttered to himself and nodded. It was a clever technique, and it worked well.
In the first major action sequence, Private Caparzo was shot by a sniper and died tragically. Just two minutes later, the squad unexpectedly encountered German troops, leading to a close-quarters confrontation that ended with the enemy's death.
The action sequences were tightly packed, hinting that there would be no rest on this battlefield. In war, it was impossible to relax. However, emphasizing constant danger could strain the audience's nerves and lead to fatigue. So, a new element was introduced—Ryan's humorous doppelgänger.
Though initially disappointed, the audience now felt hope and anticipation.
The third action sequence came, transitioning through the scene of counting dog tags. Another squad member—Medic Wade—died while attacking a radar station. Soon after, Erban's decision to release a German prisoner sparked a fourth, less action-heavy but more crucial sequence—Private Reiben's declaration that he would leave, with Sergeant Horvath pulling a gun to stop him.
This sequence marked a shift in the group's dynamics. It wasn't just about rank and hierarchy anymore; it was about disagreements among the squad members and the ultimate question—was this mission really worth it?
Duke Rosenberg was incredibly smart, avoiding a direct answer and leaving it to the audience to ponder.
"Yes, the question itself is worth thinking about!" Anna told Irene. She wasn't fresh out of college anymore. After spending years in Hollywood, she had a sense of how most directors and producers thought. "But everyone has a different perspective. This kind of question can easily lead to debates, and debates stir controversy. Controversy creates buzz and gives the media a reason to hype the film. It draws more people into the theaters."
"Exactly," Irene agreed. "I've only met Duke twice, but I've heard a lot about him from Aunt Leah. Duke is heavily influenced by her commercial-first mentality!"
An explosion ended their conversation. With the film more than halfway through, the lead character finally appeared!
It seemed the audience had waited too long, or perhaps the atmosphere had built up enough. The theater erupted in applause once again, as they welcomed the arrival of James Ryan, both in the film and in reality!
