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๐Pipers Production Diary 23/09/07
🕑 Added 2023-09-07 14:42:06 +0000 UTCHello, fellow Pipers!
Have you ever found yourself stuck drawing the same poses, the same facial expressions, and the same compositions when you're drawing comics or illustrations?
I often get caught up in this dilemma. I think it's because drawing is essentially about representing three dimensions on a flat surface, making it challenging to extract images from our imagination. So, what can we do about it? What if, in reverse, we filled our minds with more three-dimensional scenes?
That's what I want to talk about in this week's diary, "Creating a Mental Library."
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Like the video shared above, this week, I had to create a scene where two people are having a conversation by a railing with vast water in front of them. However, scenes like this, as interesting as they are, can be challenging to make as visually engaging as the action scenes. Why? Because in the end, similar compositions tend to repeat. Nonetheless, despite the similarities, there was something intriguing about such scenes.
So, I decided to build a library by studying this video: Video Link.
This scene is from Titanic! Jack's wit as he persuades Rose not to give up herself to prevent her from jumping is quite memorable. Not only is the change in their relationship portrayed positively, but the tension is also well maintained, making it far from boring. How can we write such dialogue scenes? I tried drawing it to find out.
While doing this, I noticed elements that, had I not done it, I might have missed:
- In scenes where characters are standing together, drawing characters smaller helps establish distance and the background.
- Change the camera angle as characters get closer.
- Many scenes have the horizon line rising above the characters' heads.
- Use objects like columns near railings to separate characters and express conflict.
- Three-dimensionality in faces is more engaging than flat views.
- Use actions like throwing a cigarette to cleverly lead the situation.
I discovered many aspects that I hadn't considered while composing scenes only in my imagination but could now see through the actual camera. I documented these by drawing and taking notes to store in my mental library.
๐ค
Ultimately, before creating the library, the sketches showed compositions focused on frontal views, large characters, and other elements.
However, after creating the library, the use of backgrounds and character placement became more dynamic, and I gained a better understanding of compositions that convey emotions and terrain.
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While drawing scenes is the primary transformation of a written script into visuals, studying various works to identify mistakes is also a crucial part of creating great art.
Currently, 60% of the thumbnail work for the entire animation is complete. It seems that the work is becoming more enjoyable. My goal is to finish 100% of the thumbnails by this weekend and choose some of the created compositions to complete the background and style design next week.
Thank you as always, Have a great day today!
โจ Staff of Pipers
View thumbnails for scenes S#2~S#4
โจ Honor of Pipers
Thumbnail Animatic Draft of Musical Scenes
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์๋ ํ์ธ์ ๋๋ฃ ํ์ดํผ์ฆ ์ฌ๋ฌ๋ถ!
์ฌ๋ฌ๋ถ์ ๋งํ๋ฅผ ๊ทธ๋ฆฌ๊ฑฐ๋ ๊ทธ๋ฆผ์ ๊ทธ๋ฆด๋, ์ด์ฉ์ง ๋ค ๋๊ฐ์ ํฌ์ฆ, ๋๊ฐ์ ์ผ๊ตด๋ฐฉํฅ, ๋๊ฐ์ ๊ตฌ๋๋ฅผ ๊ทธ๋ฆฌ๊ฒ ๋์ด ๋๊ฐํ์ ์ด ์์ผ์ ๊ฐ์? ์ ๋ ํญ์ ๊ทธ๋ฐ ๊ณ ๋ฏผ์์ ๋น ์ง๊ณ ๋ ํฉ๋๋ค. ์๋ฌด๋๋ ๊ทธ๋ฆผ์ ํ๋ฉด ์์ ์ ์ฒด๋ฅผ ๊ทธ๋ ค๋ด๋ ์์ ์ด๋ค ๋ณด๋, ์์์์์ ์ด๋ฏธ์ง๋ฅผ ๊บผ๋ด์ค๊ธฐ์ ํ๊ณ๊ฐ ์๋๊ฒ ๊ฐ์์. ๊ทธ๋ฌ๋ฉด ์ด๋ป๊ฒ ํด์ผํ ๊น์?
์ญ์ผ๋ก, ๋จธ๋ฆฟ์์ ์ ์ฒด์ ์ธ ์ฅ๋ฉด์ ๋ ๋ง์ด ๋ด์๋๋ค๋ฉด ๋์์ด ๋์ง ์์๊น์?
์ด๋ฒ์ฃผ์ ๋ค์ด์ด๋ฆฌ๋ '๋จธ๋ฆฌ์ ๋ผ์ด๋ธ๋ฌ๋ฆฌ ๋ง๋ค๊ธฐ'์ ๋ํ ์ด์ผ๊ธฐ๋ฅผ ํด๋ณด๋ ค๊ณ ํฉ๋๋ค.
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์์ ๊ณต์ ๋ ์๋ฃ ์์์ฒ๋ผ, ์ด๋ฒ์ฃผ์๋ ๊ดํํ ๋ฌผ์ ์์ ๋ ๋๊ฐ์์ ๋์ฌ๋์ด ๋ํํ๋ ์ฅ๋ฉด์ ๋ง๋ค์ด์ผ ํ์ด์. ํ์ง๋ง ๋ํ๋ ์ฅ๋ฉด ๋งํผ ํฅ๋ฏธ๋ก์ด ๊ทธ๋ฆผ์ ๋ง๋ค๊ธฐ ์ด๋ ค์ด ์ฅ๋ฉด๋ ์์ด์. ์๋ํ๋ฉด ๊ฒฐ๊ตญ์ ๋น์ทํ ๊ตฌ๋๊ฐ ๋ฐ๋ณต๋๋๊น์.
๊ทธ๋ผ์๋ ๋ถ๊ตฌํ๊ณ ๋น์ทํ ์ํฉ์ ํฅ๋ฏธ๋กญ๋ค๊ณ ๋๋ ์ฅ๋ฉด์ด ์์ด, ์ด ์์์ ๋ณด๋ฉด์ ๋ผ์ด๋ธ๋ฌ๋ฆฌ๋ฅผ ๋ง๋ค๊ธฐ๋ก ํ๋ต๋๋ค.
์ ์ฅ๋ฉด์ ํ์ดํ๋์์์ ๋ํ์ฅ๋ฉด์ด์์! ๋ก์ฆ๊ฐ ์ค์ค๋ก๋ฅผ ํฌ๊ธฐํ๋๊ฑธ ๋ง๊ธฐ์ํด ์ค๋ํ๋ ์ญ์ ์ฌ์น๊ฐ ์ธ์์ด ๊น์ฃ . ๋ ์ฌ์ด์ ๊ด๊ณ๊ฐ ๊ธ์ ์ ์ผ๋ก ๋ฐ๋๋ ๊ณผ์ ์ด ์ ํํ๋์์ ๋ฟ๋ง ์๋๋ผ ๊ธด์ฅ๊ฐ๊น์ง ๋์น์ง ์์์ ์ง๋ฃจํ ๋๋์ด ๋ค์ง ์์์. ์ด๋ป๊ฒ ํด์ผ ์ด๋ฐ ๋ํ ์ฅ๋ฉด์ ์ธ ์ ์์๊น์? ๊ทธ ๋น๋ฐ์ ์๊ณ ์ถ์ด์ ํ๋ฒ ๋ฐ๋ผ๊ทธ๋ ค ๋ณด์์ต๋๋ค.
๊ทธ๋ฌ๋ฉด์ ์ ๋ผ๋ฉด ํ์ง ์์์, ๊ทธ๋ฌ๋ ์๊ธฐ ๋๋ฌธ์ ์ข์๋ ์์๋ค์ ์ฐพ์๋ณด์์ด์.
1. ์บ๋ฆญํฐ ๋์ด ์์๋ ์ฅ๋ฉด ์์๋ ์ธ๋ฌผ์ ์๊ฒ ๊ทธ๋ ค์ผ ๊ฑฐ๋ฆฌ๊ฐ๊ณผ ๋ฐฐ๊ฒฝ์ด ์ค๋ช ๋๋ค.
2. ์บ๋ฆญํฐ๊ฐ ๊ฐ๊น์ ์ง๋ ๋งํผ ์นด๋ฉ๋ผ์ ์์น๋ฅผ ๋ฐ๊พผ๋ค.
3. ์ํ์ ์ด ๋จธ๋ฆฌ ์์ชฝ๊น์ง ์ฌ๋ผ๊ฐ ์ฅ๋ฉด์ด ๋ง๋ค.
4. ๋๊ฐ ์ ๊ธฐ๋ฅ ๋ฑ์ ์ด์ฉํด์ ์บ๋ฆญํฐ ๋์ ๋ถ๋ฆฌํ๋ฉด์ ๊ฐ๋ฑ์ ํํํ๋ค.
5. ์ผ๊ตด์ ํ๋ฉด์ ์ผ๋ก ๋ฐ๋ผ๋ณด๋๊ฒ ๋ณด๋ค ์ ์ฒด๊ฐ์ด ์๋๊ฒ ๋ ์ฌ๋ฏธ์๋ค.
6. ๋ด๋ฐฐ๋ฅผ ๋์ง๋ ๋ฑ์ ๋์์ ์ด์ฉํด ์ฌ์น์๊ฒ ์ํฉ์ ์ ๋ํ๋ค.
๊ทธ๋์ ์์๋ง์ผ๋ก ๊ตฌ์ฑํ๋ฉด์ ๋์ณค๋ ๋ถ๋ถ์ ์ค์ ์นด๋ฉ๋ผ๋ฅผ ํตํด ๋ง์ด ๋ฐ๊ฒฌํ์ต๋๋ค. ๊ทธ๋ฆฌ๊ณ ๊ทธ๊ฒ์ ๊ทธ๋ ค๋ณด๊ณ ๋ฉ๋ชจํจ์ผ๋ก์ ๋จธ๋ฆฟ์ ๋ผ์ด๋ธ๋ฌ๋ฆฌ์ ์ ์ฅํด ๋์๊ตฌ์.
๐ค
๊ฒฐ๊ณผ์ ์ผ๋ก ๋ผ์ด๋ธ๋ฌ๋ฆฌ๋ฅผ ๋ง๋ค๊ธฐ ์ ์ค์ผ์น์์๋ ์ ๋ฉด ์์ฃผ์ ํ๋ฉด์ ์ธ ์ฅ๋ฉด, ๋๋ฌด ํฌ๊ฒ ๋ฑ์ฅํ ๋ ์บ๋ฆญํฐ์ ๊ตฌ๋ ๋ฑ์ด ๋ณด์ฌ์ก๋๋ฐ์.
๋ผ์ด๋ธ๋ฌ๋ฆฌ๋ฅผ ๋ง๋ค๊ณ ๋ ํ์๋ ๋ฐฐ๊ฒฝ๊ณผ ์บ๋ฆญํฐ์ ์ฌ์ฉ์ด ๋ ์ ๊ทน์ ์ผ๋ก ๋ฐ๋์๊ณ , ์งํ์ง๋ฌผ๊ณผ ์ธ๋ฌผ์ ๊ฐ์ ์ด ๋ณด์ด๋ ๊ตฌ๋์ ๋ํด ๋ ์ดํดํด์ ๊ทธ๋ฆด ์ ์๊ฒ ๋์์ต๋๋ค.
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์์ ์ ํ๋ฉด์ ์ธ์ ๋ ๊ธ๋ก ์์ฑ๋ ์ฅ๋ฉด์ 1์ฐจ์ ์ผ๋ก ๊ทธ๋ฆผ์ผ๋ก ๋ฐ๊พธ๋ ๊ฒ๋ ์ค์ํ์ง๋ง, ์ข์ ์ํ์ ์ํด์๋ ๋ค์ํ ์ํ์ ์ฐธ๊ณ ํด์ ์ค์ํ๋ ๋ถ๋ถ์ ์ง์ด๋ด๋๊ฒ๋ ์ค์ํ ๊ณผ์ ๊ฐ์์.
ํ์ฌ ์ ์ฒด ์ ๋๋ฉ์ด์ ์ 60% ์ธ๋ค์ผ ์์ ์ด ๋ง๋ฌด๋ฆฌ ๋์์ต๋๋ค. ์ ์ ์์ ์ด ์ฌ๋ฏธ์์ด์ง๋ ๊ฒ ๊ฐ์์. ๋ชฉํ๋ ์ด๋ฒ์ฃผ ์ฃผ๋ง๊น์ง ์ธ๋ค์ผ์ 100% ๋ง๋ฌด๋ฆฌํ๊ณ , ๋ง๋ค์ด์ง ๊ตฌ๋์ค ๋ช๊ฐ์ง๋ฅผ ๊ณจ๋ผ ๋ฐฐ๊ฒฝ๋์์ธ๊ณผ ์คํ์ผ๋์์ธ์ ๋ค์ ์ฃผ์ค์ ์๋ฃํด๋ณผ ์๊ฐ์ด์์.
ํญ์ ๊ฐ์ฌํฉ๋๋ค ์ฌ๋ฌ๋ถ,
์ค๋๋ ์ข์ ํ๋ฃจ ๋ณด๋ด์ธ์!
โจStaff of Pipers
S#2~S#4์ฅ๋ฉด ์ธ๋ค์ผ ๋ณด๊ธฐ
โจHonor of Pipers
๋ฎค์ง์ปฌ ์ฅ๋ฉด ์ธ๋ค์ผ ์ ๋๋ฉํฑ ๊ฐ์
