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Fanfare (Country Roads #2) - Chapter 40

🕑 Added 2022-01-10 14:20:45 +0000 UTC

Comments

Idaho Spud56

yeah, what he said.

Travis Starnes

I think, if you stick with it, you'll find not everything is as bad as it seems. I think, for a characters success to count, they have to struggle to reach it. Things are always darkest before the dawn, and all that.

Idaho Spud56

What's the link to your channel so I can see how good your stories are?

Gary R. Hovatter

I've mentioned before that I don't like these public forums for commenting, but as I have never found a one-to-one communication method on Patreon, I've decided just to lay this out there. I think I've made my admiration for your ongoing body of work clear. I think my previous comments about this particular story make it clear that -- with some previously stated reservations -- you have really sucked me into Charlie's world and I'm invested emotionally. I don't think writing or writers that accomplish that can do much better. So all that said, I think this chapter is the most disappointing thing of yours I've ever read, but probably not for the reasons you may suspect. In fact, it surprised me when it suddenly gelled for me: The reason I think I actually loathe this chapter is because it snapped into stark focus the fact that, in the world you have created, there is NO ONE who unequivocally has Charlie's back, NO ONE he can count on without reservation, NO ONE that, when the chips are down and he's all alone with the pain and the uncertainty and the fear, that he KNOWS with absolute certainty he can turn to for support . In fact, is there anybody in his life that doesn't take him for granted? Before this chapter I might have almost put Chef in that category, but not now. Charlie's coach, the man who gained his trust and used that trust, in part, to pressure him to compete, the man who KNOWS the physical toll such competition can take (Charlie certainly doesn't know what to expect . . . it's his first competition), a man who knows that Charlie could have been injured seriously enough to jeopardize the single most important event in Charlie's musical hopes -- playing for the music scout --, the man who should be there afterwards to help Charlie assess his physical condition (Coach wouldn't know how badly bruised and strained Charlie was going to be?), and yet . . . nothing. No advice to him about soaking, or hot/cold compresses, or over-the-counter pain relief, or massages/stretches . . . I mean, WTF? My son's T-Ball coach took better care of his kids when he passed out a sheet telling parents what to watch for and things to do if they were feeling the strain. So coach just lets him drift and, clearly, Charlie is hurt enough to where he is worried about being able to play the audition. Who's got his back? Of all the folks in his life, Hannah seems to be the closest thing to the confidant he needs, but he knows the stresses she is dealing with, so he can't burden her. His mother clearly loves him, but she really doesn't like his musical aspirations and he doesn't feel he can trust her with his fears or injuries. Kat would probably do anything she could, but she is too fragile, to many of her own demons to battle to be reliable. The music teacher is good, but the scope of his investment in Charlie is very narrow. None of his teachers other than the music teacher have proven reliable. His bandmates are in this for what Charlie can do for them, and their relationship is till too new to carry this kind of load. His coaches are a mixed bag, one seems clearly an aider and abettor for the brutal bullies in the school. Law enforcement, the county prosecutor, local government have been consistent only in their corruption. But, until this chapter, I thought it was starting to level out for Charlie: In school, in baseball, and with the impending audition, he was starting to stack some successes, some wins. And so we get to the attempted first degree murder. I don't know how you intend to characterize it, but from your other work I know you have to know you have described a premeditated act of attempted murder -- the masks, the weapons, the unrestrained blows (the broken nose was the result of a blow aimed at his head that, if it had connected squarely, could easily have killed him), and the planning. Ah, the planning. And how did the attackers know the would have this brief period when they would have Charlie all to themselves. Granted, his being encumbered by the equipment bags was a gift, but to bring the masks, the bats and themselves to that place and time was not a target-of-opportunity, they had a pretty good idea he would be alone at that time and place. How did they know that? Of course, if his coaches and teammates hadn't simply taken Charlie for granted -- equipment to gather, hell, Charlie will take care of it, I've got more important things to do than help one of my players, to help a teammate. And finally -- with closing in on 100 chapters in the two books to date -- the world you've created has consistently let Charlie down at his most challenging moments. Now, you have delivered us an attempted murder (and, by inference a long list of acts of brutal bullying and sexual abuse/rape that has gone unpunished) that will be dealt with by a school administration, county prosecutor (whose son was almost certainly one of the attempted murderers), law enforcement agency, and local government that has repeatedly proven corrupt and aggressively dismissive of Charlie's situation. There is no one he can turn to for help -- everyone in his life is too weak (hell, you even had Chef back away in an earlier chapter over his fear that those abusing Charlie might cause his business trouble), or, when it comes down to the wire, too ineffectual, to really offer Charlie anything but moral support. Charlie and his mother's poverty preclude them buying justice or medical care, the audition is toast, his hopes and dreams are just so much dust in the wind. . . hell, will his injuries will he ever be able to play music again. If I wanted a litany of the powerless abused by the powerful, of crushed hope, I'd have dug out my Dostoyevsky. I don't get this, I can't make it make sense. I am obviously passionate about this, but, per usual, I still neither request nor expect a reply. I'm just baffled.

Idaho Spud56

Yeowza, what a chapter. Fergit them other stories, don't leave us hanging! :)

Jim Coburn

Great chapter.


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